three mixes from the brand new berlin based label/project “in love we trust”. classic new york house inspired for the a side opening tune, driven by an off partiture alto-sax unfolding over a throbbing bass, four to the floor beats and great message delivered by a strong male voice, followed by a slower tempo roller-skate, atmospheric, garage inspired disco cut with a solid 80’s style linn drum grove, catchy riffs and a powerful bass line. rougher beats and a more acidic vibe for the flip side, direct and effective floor stomper guaranteed to raise heartbeats

limited to 250 copies, one-sided white label.
s-sens records / mhd underground are proud to present their next release, namely a killer two track affair from mehdispoz. mehdispoz is the label boss and frenchman who has worked with the likes of phil weeks and many others. he has also released on brique rouge, aa trax dj pierre label and many others and now comes correct with a top ep.
the first cut, acid spirit on the dancefloor, is a firm, hard hitting cut with rock solid kick drums and plenty of oomph. riddled with sci-fi synths and spoke pads it is a real peak time cut that will blow heads right off.
then comes analog acid, another searing track with slick, rubbery drums, spritely percussion and plenty of corrugated grooves all bottled up within. this is high tempo, high impact club music that is sure to make floors move!
supported by animal trainer, chris fortier, ame, joseph capriati, paco osuna, and many more

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

above machined return after their extra special debut 10- outing (and something of a secret weapon !) just over a year ago here we have another mighty 10- platter featuring a side cut bad runner a nicola bruni rewire featuring luca cacciatore on sax. it s an irresistible mediterranean groove, which is far more dirty cocktails & dark corner deals than it is vest and linen slacks - think don carlos meets the vincent montana orchestra on the flip we re treated to the dazzling slo-mo communication breakdown where twisted tongue takes on a library rarity and transforms it into a balearic masterpiece ! the above machine stamp of quality all over this one - limited 10- release

washerman who is steadily proving his outstanding craft since many years, delivers yet another uncompromising oldskool house cut to shake the floors worldwide. slightly ravey with a bouncing acid bassline riding on a driving beat: a sure play. crowdpleasers remix refers to an end of 80s / beginning of 90s house music style by using retro drummachine sounds and a prominently mixed hypnotic synth melody, which both somehow remind us of old david cronenberg movies. crowdpleaser is an experienced cat and a long time contributor to genevas cultural dance music diversity. he has co-produced the critically acclaimed album *2006* with st plomb and has released many on-the-point tracks ever since. emerging from st plombs debut album country city country, these two remixes almost desperately have been waiting to see the light (on a 10 inch vinyl release!). we think: these two remixes make another swiss crop-of-the-house release!

bouldaz from mj cole marks the second release on disclosure’s newly minted method white imprint following the inaugural release from jonas rathsman and his heady cut ‘wolfsbane’. the label continues to assert itself with upfront and engaging club tracks and with bouldaz, mj cole fulfils his status as a garage legend, turning in a bass-heavy stomper worthy of the track’s namesake.

2016 repress! primary colours opens the vault to a reserve series. a limited edition vinyl cut on 10 wax that sees the echo inspectors collaborate with some of their favorite artists. bourne dub began its journey in melbourne australia with etui records boss, insect o, touring the great southern land and meeting up with the lads from echo inspectors. bourne dubs infancy began. many trips later between dresden and melbourne the track is here to be shared and played alike. for the remix it was only natural to enlist the magical touch of the mysterious silver ash. the signature sound is sprawled all over this reshape and we cant be happier and ensure you will be also.

building on a series of releases on labels like true type tracks, illegal alien records, and abstract mechanisms, roberto espinosa launches his visionary rhythm designation with micelio: tecnocigalpa ep. drawing inspiration from the natural methods of decomposition and regeneration (essentially the power of mushrooms), vr’s first reference is a 3-tracker that combines social commentary with rhythmic analog and digital waves, reinforced with ceremonial shakers, percussion, and textures obtained by buried mics to propagate an elemental underground vibration, and integrates the sharpening of a machete with the hi-hats to provide the energy to cut through negativity.

ben cohens *voyage to rahoz* is dappled with esoteric references invoking the hazy contours of the ever mystical inner zones. it delves gracefully into these realms with the opener *momentum*, which gives way to the mind-expanding workout that is *acid dreams*, a proper luscious piece. on the b-side, *play with humanity* is built around elastic percussive elements and an enigmatic looped-voice. the final cut is an adroit, if not buoyant, rework by the moscow’s top producer anton zap.

the head of grounded theory berlin returns to sonic groove with his strongest outing on the label to date. henning baer brings forth a rough and tough diverse four cut ep of chunky rhythmatic techno. recording the songs during live jams and using a previously decided pool of hardware this ep has a nice old school vibe. the sound production however is very much in the modern day with its well crafted mix downs. this release has strong mass appeal for the purist techno connoisseur.

shaw cuts enters the site of crime with its first release called ‘have sword, will travel’. the ep includes 4 techno assassins – two tracks by the label founder himself lachriz, who introduces his shaolin moniker ‘farron’ and 2 remixes by the argentinian boxer jonas kopp. ‘equinox’ opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track ‘apo-g’ comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys – throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of ‘equinox’ that can easily cut off the rival’s extremities like a sharp guillotine. and the carnage just begun

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

spanish techno purveyors exium make their debut on detroit underground with a smashing ep of thunderous, mind-altering techno. from the restrained beginning of true force, you might not know you are in for shock therapy, but midway through the a1 cut, the intent becomes clear.

marco niemerski, aka german dj and producer tensnake is set to release his keep on talking / the walk ep via his own imprint, true romance on june 8th 2015.‘keep on talking is a tingling and infectious cut, defined by an exuberant bassline and lush wandering synths that hark back to an era gone by, while the walk takes a darker, more minimalist tone with slinky, staggered house beats

point g is back with a double pack of goodies to riot the summer , * you* is that kind of raise your hands deep and stormy cut that is the perfect an apocalyptic sunrise mood where * air* sets a dronish meditative vibe on a super fat beat with a heavy sub bass when * strike a pause* is that carnival vogueing oriented groove , * adg* is a tribute to a deep groove the radio show that alex from tokyo, dj deep and dj gregory had in 94 in paris on a week midaymix very stompy jersey styl , then your all set , summer s here

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

up first, juice machine is a barreling cut with pinging drums that ride up and down in infectious style. carefully treated vocals echo up top and add a dub flavour as subtle rave horns and old school motifs also colour the groove. when remixed by re.you, the track becomes a more subdued, deeper cut with spraying synths and a sense of late night paranoia in the grooves. lastly, badass acid is a minimal cut with warm pads, hiccuping sine waves and a growing sense of synthetic tension. it s a masterful bit of slow burning craftsmanship that has icy hi hats to die for.

jef ks silver network springs a surprise on the label s followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

jef k s silver network springs a surprise on the labels followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

oliver dollar is known for his loyal service to the underground for the last decade, and more recently, for his cross-over chart hit pushin on. today he announces news of the first single which will see the launch of his brand new label, industry standard. shout away is a collaboration with chuck daniels, a dark-disco club ready cut that was made recently in detroit. of the new label oliver comments i always wanted to do a label, but i think now is the right time to do it. the vision is to have crazy quality control, i dont want to put out a release every month. shout away sees a release just in time for summer with info of new music from the label coming soon.

after kicking off their label in style with burnski s your love backed up by remixes from trus me and steve o sullivan, constant sound use their second release to showcase a pair of up and coming producers from newcastle., a scott & richard rowell. mrs j has been burning a hole in burnski s bag for some time now, waiting for the right opportunity to get unleashed on the public good and proper. the quality of the production belies the youth of the pair behind this addictive, bumping tech-house cut, although years spent as residents for the jaunt parties in newcastle and london have undoubtedly fed into the quality of their sound.

danny worrall‘s masterworks music imprint is set to press it’s first vinyl, just in time for some summer love. the four-track ep will pulled together a selection from their vol.1 compilation, a season-fitting jam from dr. packer‘s boogie grinder ep, and a brand new cut from the on fire get down edits boys which will be exclusive to the vinyl as well as cuts by midnight riot’s yam who? & coutel… the new label has already released a sturdy batch of modern disco and house music and has upcoming ep’s in the pipeline from the likes of dave gerrard, rayko, queen & disco and p-sol to be on the lookout for.

gcw lovingly presents the debut album of a mr paxton fettel. to cut not a particularly long story short, you’re in for a real treat. everything stays the same is a beautifully conceived work of house music which delves in depth and diversity, tapping into the old bittersweet emotion. it s a true labour of love presented in double lp format.

• part one of a special two part series from michigan’s revered house and techno craftsmen, d marc cantu !
• stunning hand stamped and printed jacket featured on part one and two <br • brilliantly cut by simon at the exchange

the secret squirrels continue to fiercely guard their reputation as one of the hottest edit imprints around by dropping two more seriously heavy reworks that are guaranteed to cause chaos and devastation in your discotheque. these are no nonsense, quality re-flips that will do it for you over and over again on the dance floor. cut loud and ready for action. episode 8 has landed!

w&p hgg is back to deep explorer since his last release on the label in 2010. this new ep contains edit gospel 5, a hard to find old classic tune by w&p hgg and two new versions of the song by the deep explorer heads, one killer club cut by dubbyman and another downbeat take for chilled moments. is crurch time

the third installment of silent movie sounds series features music from four producers each delivering a different cut of deep, hypnotic music. japanese artist mituo shiomi is a regular on simoncino s hotmix records. he kicks off the va with a mesmerizing house track. fresh from his ep on fina records, detroit-based producer appian contributes a thumping track to this 12inch. russian producer alex danilov returns to rhr with a love story to acid. last but not least, the chicagobased coowner of perpetual rhythms, nick marshall aka taelue closes the ep with a deep and emotional track with a solid kick and smooth synth lines.

kito jempere s fata morgana is back on track with second remix ep off his debut album objects. on the a-side you will find proper peak time banger by moscow based simple symmetry duo (famous for their releases on glenview records, low budget family and that s a steal, supported by everyone from lexx and alexis le-tan to mudd and bradley zero) and disco version of typewriter by poland based duo ptaki (famous for their releases on the very polish cut-outs, young adults and they have their debut full-length album forthcoming now on transatlantyk). on the flip you will find an almost techno version of hw whales made by ruf dug (famous for his ruf kutz label and much others releases on labels like unknown to unknown) and gas station remixed by moscow based arsenii (he released on that s a steal, glenview and others)

ascion’s new solitary adventure on 3th records is the five tracks ep -public head-. imprinted in a folder that is designed by the producer himself, it starts with the electro-ish journey of “landescape” continuing towards the atmospheric broken-beat techno “public head”. on the flip side, “acido rosso” is a banging track in the manner of late 80’s acid-house that creates a strong anticipation for a classic techno cut, “xlight”. the ep is closing with the dramatic sci-fi attitude of “carnival”.

played & supported by: raresh, john digweed, seth troxler, magda, richie hawtin, nick warren, danny tenaglia, dubfire, guy j, joris voorn, hernan cattaneo, horse meat disco, dj tlr, denite, moodymanc, ethyl, mr. g, chris coco, john heckle, dubspeeka, alan fitzpatrick, agoria, johanna knutsson, iron curtis ...
after a slew of acclaimed 12 inch eps and a string of cd compilations and albums, darkroom dubs prepare to cut their first lp to wax, which comes from portuguese newcomer pedro aguiar. brimful of spectral intensity, aguiars * landscapes and heartbreaks* is an uninhibited package of field recordings and otherworldly tones that stay close to the aesthetic darkroom dubs fans hold dear and also inaugurate the labels landmark step into the world of long play records.

stephane lefrancois & jameson gilvarry team up for the latest 12inch from the secret music label and find inspiration from a canine icon of space travel. laika is named in honour of the first cosmonaut dog, depicted here on the cover art and lefrancois and gilvarry convey her journey through an uplifting, rolling techno cut that doesn t seem to stop building. complementing the original is a remix from dantiez saunderson who strips down the groove, while giving it a swung, offbeat feel. staying true to the original, this version also introduces another layer of melodic synths, extending the journey, making it deeper and moody. the booming, clean low end and bouncy high end keep the groove propelling forward.

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

dj support: zip (perlon), ricardo villalobos...

following the release of dba015.5 in 2014 (which included mgun’s anthemic risque cut) dba present another vinyl-only various artists excursion, once again mixing up new arrivals to the label like detroit’s radio brovold, new yorker max mcferren and paris’ ben cohen, with established label favourites like halvtrak of tampere, finland.

the munich-based duo mrad is a full hardware generated techno project and delivers here the frst release of their label tuesday slump. their 3 track debut ep keeps all promises and shows us the widespread variety & full range of their work. the a side only comes as a heavy jacking bigroom foorburner. a mighty 303 bass line, hissy hihats & mechanical noises make this track to a perfect techno trip for the late night hours. resident on the b side is a rough and catchy cut whereas hazen takes us on a spaced-out excursion with its beautiful & atmospheric synths. this is raw, this is analogue, this is munich city!

13 album tracks including an exclusive bonus cut, pressed on three 180-gram heavyweight vinyl records, housed in a bespoke clear sleeve, screen printed artwork by trevor jackson.

jamaican-born, brooklyn-raised producer heartbloc provides the standout a1 cut “mirage”. out of a dense forest of percussion emerges a shimmering, refracted melody, turning endlessly inward upon itself, mutating, snaking out of sight and just as suddenly reappearing. on the b side is r gamble’s remix of young longisland based artist bosco clowe’s “suffication”. it’s a gritty, propulsive warehouse-ready techno interpretation of her original mix, which comes next-a rumbling, dubbed-out spacescape painted in tough textures and bouncy rhythms. limited pressing.

matt nowak drops a trio of mesmerising techno tracks on his zaijenroots imprint this june with appearances from sebastian klenk and jerome sydenham. matt nowak inaugurated the zaijenroots discography under his no mad ronin moniker alongside jerome sydenham in 2013, before reappearing for the second release with quiet daze (ian pooley) on remix duties. as the label returns for its third outing nowak pairs up with german producer sebastian klenk whilst distinguished veteran sydenham carves up a remix. *aleister* sees nowak and klenk create an acosmic track that initiates with a touch of funk before sullen synths make way for punchy sp-1200 beats and unsettling throbs. sydenham provides a rendition of no mad ronin *chemical planet* from zaijenroots second release, featuring a perennial hook joined by intangible spoken samples and a subtle sub bass. lastly *lenore* ties things together with a subterranean cut abundant with echoes and spacey atmospherics.

more nuts stuff for the dance floor from the secret squirrel - limited edition series of vinyl only releases. cut loud and built for maximum club use. dance floor devastation is guaranteed! 2015 repress

more wild & fruity stuff from the flying secret squirrels. cut loud and built for maximum club use. dance floor devastation is guaranteed! ltd 2015 repress

joe goddard just had to knock on that door. the wall of his recording studio had been pulsating with original analogue house jams for too long, dry ice practically sifting through the vents. behind that door was gentleman george t, and before long the two heads were nodding to obscure dat edits and 4th hand soul samples as george plundered a wealth of forgotten late 90s dats from of a box in the corner. true story. and now those dat edits, lovingly un-restored, are available for the first time on greco-roman, the record label, party and artist collective of whom hot chip s joe goddard is a founding member.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

honor oak park electronic dispensary inaugral release pays a hefty respect to the classic 90s house and techno sounds that emanated from the motor city. the silky smooth textures of the a side someday serve up a reasurring yet refreshing slice of real music. the flip of the release couples a fine jazzed up boogiefied track called down with me with a raw dancefloor devastating cut called #5. this release comes highly recommended for all lovers of authentic sounds. buy now!

following toju kaes critically acclaimed debut *villa/11 rooms*, the young vienna-based producer offers us with his new album *unfold* an outstanding collection of tracks that contrary to the detail-loving beautifully arranged first output shows a distinct rougher and downscaled side of his music. ranging between the sticky crowded dancefloor and the safe haven of ambient roots it hints at, the album, released through swiss label neopren records, still unfolds its own room of both subtlety and drive as well as a much-needed sense of buoyancy and a certain impression of forward movement. with a new and unexpected feeling for roughness and spontaneity and some great avant-garde moments (buscheli), unfold is a marked progression, both in terms of composing and producing, in the career of the artist.

the titanic trio are lead by buzzers. the rise and fall of the metallic droplets oil this mighty techno machine as the march of its kick drum rolls like the constant throb of a diesel engine. dark and deadly. erector pili sees joel delivering a relentless tribal pattern wrapped in dreamy atmospheric and moving waves of synth. final cut pulhapanzak seems to combine elements of both the previous tracks. the ferocity of the lead track and the sweeping, ghostly atmosphere of the second, to create an excellent finale.

the debut album from jamie xx as standard black vinyl lp, cut at 33rpm. includes a cd-copy of the album.

• 10 inch handstamped limited edition of 200 copies, no repress.
• dj support so far from key players including: murf (subterrain), russ gabriel (ferox)
• following the first 2 sell out releases, the mysterious silver ash returns with tallow, the 3rd in a series of super limited 10 inch vinyl, handstamped, and lovingly mastered with a superb warm tape qualities. the original mix carries beautifully structured shuffling beats, and a wall of stunning reverbed stabs, dubby chords and cut through bass. fellow dub techno producers, hailing from australia, the echo inspectors provide a deeper reshape, soaked in warm dub soundscapes!

underground house from olivier portal (playin 4 the city). track a2 & b1 were originally released on the backshop ep on tropism records 2002, an ep thats very hard to find around on vinyl and the ep comes with a fresh new cut called, minor track which incorporates those classic p4tc vibes & deep rhythms.

estonian upstart merimell joins desolat with this four track forward thinking ep that is pushing the boundaries of the house and techno genre. with nods to moombahton and trap, the ‘cyber seduction ep is set to pique the interest of those looking for something a little different. ‘cyber seduction is a futuristic staccato cut that itches and scratches.